Sunday, 13 December 2009

Two Fragments from the Recent Past

Tonight Y commandeers every toast made, orally anointing all those present in his own name. He starts an argument with a solicitor in which he repeatedly threatens to push her down the nearest set of stairs. He drinks heavily, takes coke and talks shit about sex, race and the easiest way to break a person’s collar bone, all of it with the intensity of a man speaking in tongues at a Pentecostal ceremony. At one point he even gets me in a sleeper hold and chokes me into unconsciousness. So why do I like him so much?

Maybe it’s the spontaneous acts of largesse: the rounds bought, the cigarettes given away; he spends 10 minutes arguing with the manager of a club over whether he can buy one of the barmen a drink. Maybe it’s the strange (and distinctly homoerotic) displays of tenderness: he drags me out on to a balcony for a smoke, and when he sees that I’m cold he puts his mouth on the top of my spine and warms my back with his breath.

Then again, maybe it’s just because he carries off a pinstriped suit jacket, green keffiyeh and purple beanie with such panache. I should have learned long ago not to underestimate the extent of my own shallowness.

***

Two hepatitis injections and a blood sample. The nurse delicately inserts the small needle at the point where my forearm and biceps meet; red-brown liquid shoots down the cannula so fast it looks like a movie jump cut. She says sorry for about the fifth time and I tell her that I’m okay, but the truth is I feel surprisingly queasy; it’s unsettling to learn that your bodily fluids are so eager to get away from you. After filling three collection tubes she removes the needle and presses a cotton pad against the puncture; I hold the pad in place while she turns around to get some tape. Then I black out and have an intensely violent dream.

It’s hard to tell exactly what the dream involves—aliens, fist fights, explosions?—but it seems to be rendered in the crude, brightly coloured graphics of an 8-bit videogame. When I regain consciousness my vision is dominated by a beautiful and vaguely familiar face; it takes me a while to realise that it’s the nurse, because I’m convinced that my visit to the clinic took place several weeks ago. She asks me again and again if I’m okay and I tell her each time that I am, although this is primarily a reflex action. Apparently I banged my head on the desk and she thinks I’m going to have a bruise, but when I reach up and touch my face I feel no pain. My body is tougher than it looks, and it never stops reminding me how little I deserve it.

Friday, 11 December 2009

Jack Rose, RIP

This is a man I met twice, maybe three times. I remember him like this: roaring at the noisy English crowd who'd just talked through a set by his friend and touring partner Glenn Jones. "Shut up, you fucking limeys!" he shouted, to scattered applause. Then he sat down and played the most furious set of instrumental, solo-guitar folk music I've ever heard. Could anyone in attendance that night have claimed otherwise? I suspect not.

Towards the end of the first or second song he broke a string, and had to switch to his spare instrument. This was a large 12 string, and it was hopelessly out of tune; after grappling with the pegs for a couple of minutes he gave up and embarked on a lengthy atonal improvisation. The crowd, who had quietened down after his initial harangue, had grown noisy again, and the few keen listeners drew in close around the stage. My memory of the music has long since decayed, but I remember the intensity of the experience, and the sense of camraderie within that impromptu semicircle of unfamiliar bodies.

Over the subsequent five years I saw him play twice more, and on each of those occasions he was thoroughly amiable, both in performance and conversation. Of course, his playing was always vital and propulsive, but there was more of a meditative quality to it (both concerts took place in candlelit churches), and when the atmosphere became too charged he'd break out a ragtime tune and charm the audience all over again.

I will remember him like this, also: a large, unkempt man sitting cross-legged on the floor among many CDs-for-sale; tired from his labours, but making gracious small talk with acquaintances and admirers. He'd finally begun to receive recognition commensurate with his talents; hostile and indifferent audiences were a thing of the past.

Rest in Peace, Jack Rose.

Thursday, 3 December 2009

When I Am Famous...

...which I will be soon, very soon, this blog will be of great interest to many people. I am writing now for posterity, which makes me a chronicler, a testifier, a kind of prophet, even; I am like one of Jesus' buddies, but with more TopMan paraphernalia.

So, for your delectation, I present a snapshot of my current, tax payer-funded existence. This was taken just before my flatmates and I went out to eat at an extremely well-reviewed restaurant in the nearby Portugese district. I had just spent my weekly subsistence allowance in the purchase of a new coat (pictured, right); I consider it an appropriate use of the money, because it will keep me warm during my pursuit of employment, and it will no doubt impress prospective employers at interview, despite being slightly too large for me (this is the smallest coat that was available; how long an arm is a man supposed to have?).

Nick is also on what used to be known as "the dole," and he had just procured for himself the fetching purple trousers and blue shoes you can see him wearing here. We live like kings; we behave like rodents. All is well.

Friday, 27 November 2009

Kittens

Thursday, 26 November 2009

Taxicab Explication of Aboriginal Genital-Mutilation Rituals

Hear me, yes, for tonight I have supped on many potent and flavoursome libations; mixed grape and grain and sugar-beet molasses until the air around grew thick as warm water by night, and vortices of unseen origin propelled my body from floor to ceiling, spinning themselves to nothing at velocities no speedometer could ever apprehend. I have watched coloured lights, once hung in state, descend and dance in frenzied counterpoint some atavistic ritual whose function I could not hope to fathom, and felt my head dance with them; a frantic, lilting dance that reminds me of the word “calypso,” although I don’t really know what the word “calypso” denotes. (Note to sober self: look up the word “calypso.”)

I have been sick once, on the sparkling heels of a fat-faced girl with lethal-looking hair and lips painted the bloody purple of a hanged man’s glans. I enjoyed being sick on her, and would happily make her my target a second time, but I doubt that the opportunity will arise now that she is on her guard. I have fought off the persistent advances of an oafish, drunken student and cast myself before a handsome doctor wearing a beanie, and been judged acceptable, and I have boarded the taxi that will take us back to his friend’s place where we will make small talk for a while and then fuck, probably clumsily, on a sofa or a sofa-bed or (praise be for small mercies!) a real actual bed with mattress, sheets and pillows such as will afford a measure of comfort commensurate with the standard of living to which I have become accustomed in my 22 years of riding this inscrutable planet through one effortless, invisible rotation after another.

I have done all of this and I have been neither perplexed nor aggrieved at any point; not until the moment when the skinny white boy who makes up the fourth wheel of our proud, night-coursing triumvirate, and who is evidently the fated plaything of our host-to-be, commenced rattling on about a subject apparently close to his heart, namely male-genital mutilation.

“There’s an amazing diversity of techniques and practices to be observed across the world, even today,” he declaims, waving a single extended finger in the air as though in unconscious phallic tribute. “For example, the Aborigines—that’s ‘Aborigines’ with a capital ‘A;’ ‘aborigines’ with a small ‘a’ means simply the native inhabitants of a given region—the Aborigines perform both the traditional circumcision and also a procedure called a ‘subincision,’ in which the penis is split from head to base along the urethra.”

“Jesus,” says the handsome doctor, whose name, I think, is Saami; he turns to me with a pained expression on his face and I do my best to look sympathetic.

“Apparently, the shedding of blood that occurs during the procedure is considered to represent a male form of menstruation; it’s a rare case of genital mutilation that, far from being misogynistic, is actually rooted in a sympathetic attitude to womanhood.”

As the only lady present, I feel obliged to respond to this observation. “Well, I’m sure Valerie Solanas would have approved, but I’m quite happy for men to keep their genitals intact.” I let my hand fall on Saami’s thigh and see his eyebrows climb a couple of centimetres.

The white boy continues, oblivious to everything but his own voice. “It’s actually caught on as a form of voluntary genital modification in the West. Men choose to have their penises split open, and in some cases completely bifurcated, as an expression of their individuality and self-possession. It’s fascinating.”

“Yes, isn’t it.” I smile sweetly and he seems to get the idea; he turns his attention to the window and watches the night crawl by.

There is silence in the vehicle for a while, not counting the constant hissing of water sent spraying by the tyres, the chatter of passing pedestrians, the driver’s soft and wilfully tuneless humming. It’s so close to peaceful that I find myself nodding off with my head on Saami’s shoulder; he looks down and we both smile like people who’ve known and been close to each other for more than an hour, which is easy enough to do as long as you regard all your sexual partners as essentially interchangeable. This is a bad habit of mine that comes in handy so frequently that I’m loathe to kick it. I close my eyes and try to focus on the humming from the front seat, it having occurred to me that any series of notes is technically a tune, and that enjoyment is a simple matter of deciphering the patterns (intentional or otherwise). I hear snatches of “Frère Jacques,” “Sweet Child of Mine” and something classical they used to play in school assemblies. Then we arrive.

Wednesday, 25 November 2009

Everything Is Going to Be Okay from Now

Breasts in videogames, courtesy of some Germans.

I'm trying to think of my favourite pair of videogame breasts; it's a tough call. In retrospect, I think they may all have been bad.

New Game Proposal

At MakeHands.